A Flock With A Difference

October 05, 2016  •  1 Comment

A Flock With A Difference 

Moving sheep, Middlehurst Station, South Island, New Zealand.
Phase One XF 100MP, 55mm Schneider lens, 4 seconds @ f8, ISO 200, 3X ND

Regular newsletter readers may recognise this location as I posted a colour version a couple of months ago, after Tony Hewitt and I had run our exclusive Art Photography Workshop at Middlehurst Station in New Zealand.

I confess that at the time I wasn't overly concerned about the photograph - there's an image in there for sure, but I felt there was still room for improvement with a different camera angle. It's a good reason to go back again, of course (and we are next year if you're interested), but it also points to how much influence our current thinking has on how we view our work. Or maybe I should only speak for myself.

When I took the photo, I had an image in mind, but I didn't quite get what I had in mind. It was something different. However, with the passing of time, I returned to these files with fresh eyes and thought, maybe it's not so bad after all.

Certainly that panel of five wonderfully sophisticated and educated judges at APPA this year scored it well (yes, a Gold he modestly writes), so you can be lucky every now and then.

So, what did the image look like before I started work on it? And does the finished edit look better with a little introduced colour? You'll have to click the Read More link to the website to find out!


Processed raw file to mono before adjustments. 

Final edit with a little more colour. 

As you can see, most of the technique is in the capture. Using a neutral density filter, I was able to set shutter speeds of two to eight seconds during which time the sheep on the outside of the flock had moved, whereas those in the middle had not! I took lots and lots of shots!

However, tonally the sheep blend into the background, so using layers and masks in Photoshop, I darkened down the surroundings and lightened the flock. The background mountain range has been subtly blurred.

So, when I add in a little colour, does it work better? I wondered about this before entering it, but went for the pure black and white look. Was I wrong?

And if you're interested in a photography workshop in the next 12 months (maybe a Christmas present for yourself?), I have trips going to USA, New Zealand, Arnhemland, Georgia/Armenia, Iran, Greenland/Iceland and Mexico. Full details on the Better Photography website!



Julie de Leseleuc(non-registered)
Definately without the color. The contrasts are beautiful.
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